Thursday, 15 October 2015

Built to resist: Design lessons from my Grandma

So I did it again: another PechaKucha Pittsburgh on my resume.
It is the fifth time I presented in front of an audience. It feels better and better every time, even if at the end, I always promise myself: never again!
So why I go back, on stage, you might ask. The answer is: I think I have something to share, and some knowledge it is worth passing along.

Like what I learned from my Grandma, in terms of design. The title might seems just ridiculous, but these are actually design lessons she gave me, as we were sawing together, cooking together, exploring the woods nearby her place. These are lessons that, I believe, made me a better person, and a better architect.

Here they are, published here, ready to be shared once more:



The following are true design (not "fashion" design) lessons that I learned by living with my Grandma. My grandma was my first university and mentor. In a way even like a client. Which never pays...



Her name is Margherita, which means “daisy”, and this is the first design lesson she taught me: say what you mean, mean what you say. Translated to design: do it right, now, without unnecessary BS. That’s her in 1928 



Most important: do it strong! Built to resist! Because life is tough and there is no money to buy it/do it again. Please note the inaccessible path that Grandma, in her 80s, was walking with moccasins.



But Grandma is also a poet: she sees beauty, and she appreciates it. In particular when it’s free, like the flowers in her garden. Those flowers are weeds, but she is not judgmental. She believe in the honesty of design. 




She gives me design lessons for real, when we  saw together. I learned to be precise with her. Shouting at me. I learned to saw straight even after a glass of wine, and I feel I became adult when she shared with me her secret “invisible stitch”. No slide for that!



She taught me about the true Italian design, the one from war time, that uses less and gives you more. She taught me how to be creative, when you should just be crying. She taught me to be and design strong stuff. 



To do so, start by using few and simple ingredients. Like her lunches: butter with salt and one egg. Good design is about simplicity. The challenge is to use just what you need, in the right way. No space for treats of fake stuff. 



Then it’s important to always have a good idea of the overall context. Like her: from the window of her bathroom, she knows everything is happening in the village, and when. Always keep the big picture in mind, without loosing the final goal though! 



But don’t forget the details! Always go deeper in your intellectual research, and make sure to check and double check the small components of your projects. Peep in every hole, touch every piece, hear every noise. 



Also: make the best of your tools! If you don’t have a big beach umbrella, use two smaller umbrellas, and cover only the necessary. There she was actually threatening me to NOT take the pic. The labial is vulgar Italian. 



I love her persistence in pursuing quality. Here she was re-writing nicely for the second time something in Italian, that she would have read to Eric, in Italian, even if he doesn’t speak Italian. I made a video with subtitles in English. 



I added this just because it cranks me up. My grandma is not easy to deal with, or to learn from. I am the only one allowed to get close and learn the deepest secrets. Sometimes I get myself go a but too far with the confidence… 



Another thing I learned from Grandma is to always add your personal touch. Now, she is obsessed with snowmen and she always wants one in her balcony. Even when it doesn snow. She waits until we are done with it, then she adds the bottle of red wine. Always different, always empty. 




This is about flexibility: always be flexible in your design process, because you will have to adapt it to every context. Grandma for example, can take a nap even standing, if necessary. Then says: I am thinking.



Speaking of thinking: she taught me what I call the “lateral thinking”. I use that every day. Approach every object for its inherent qualities and not for the supposed use. Supposed by whom, btw? This is a bath mat, that can become a blanket when you are cold. 



Designing with her, and cooking sausages, I also learned the importance of team working, and how to collaborate with people. It doesn’t matter what is the task, share your space with the others. Smile even! (But get the sharpest knifes of all!) 



But Grandma doesn’t need many sharp tools: her hands are dangerous enough. And deadly precise! Here she is performing a highly skilled salad cleaning. Unconcerned by the pile of wood that is an her right. And she is working on the floor… 



Your hands are all you need, and never blame the tools if you do a mistake. Other than your hands,  you need energy, and she has energy to sell. Here she is with my sister, on our swing, no longer than two years ago, in the same garden of the free flowers. 




One  day I was going to cut the grass. We were moving all the chairs and tables away. She didn’t want help, as I was prepping the mower, and I could only take this pic of how cool she is. SHE is built to resist.



As a young architectural designer, I still have a lot to learn, but I am grateful for what she taught me so far. She has always inspired me and has made me a better architect, in a way. She will turn 89 on Saturday and this is my present for her. 

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I know a video will be online, at some point. As soon as that is ready, I will post it here.
Now go design something!

Monday, 28 September 2015

Design Pittsburgh 2015: Drawn to Inspire


September is always a great month for the architects in Pittsburgh, as we open to the public with a huge exhibition of our works. Only October can beat September, when we have the Awards and Gala. This year, the opening was during the Pittsburgh Cultural Trust Gallery Crawl and the Gala will take place on October 22, 2015. Tickets and info are available on the AIA Pittsburgh website. 

Also this year, I helped in creating "the right atmosphere" (read: cheerful) and I volunteered to arrange the space with other friends. 

The main spaces I was involved with were the Young Architect Studio Competition, the photo exhibition "Place that inspire" and the 4th floor, with some interactive activities. 

Below, the photo exhibition "Places that Inspire". Joe Adiutori, Jr. made the final arrangement. Two of the presented photos are mine.

Here the photos, which I took in Pittsburgh in 2014 (click to enlarge)

On the opposite wall, the YASC competition was presented to the visitors, with many creative ideas about how to re-use the former Bayer billboard, recently dismissed. This year we had a record of submissions and the space was almost too small for hosting the boards.
The visitors seemed to be pretty entertained, and enjoyed the show.




On the floor, you will see the gigantic floor graphics I prepared, printed by Tri-State Reprographics and skillfully mounted also this year. Last year it was a 12 feet by 12 feet. This year, I created a 34 feet by 4 feet strip with the challenging topography on the south shore of the Ohio River.



Above: the whole 34 feet strip. Below, the detail showing the clean graphics of the topography, buildings and roads between Mount Washington and the Ohio River. The dark line represents the true footprint of the billboard, compared to the surroundings.


Also this year I submitted for the Young Architect Studio Competition. Below you can see the images of the "Duquesne Gardens". An incredible place dedicated to Pittsburghers. But also to resiliency. 
You can vote for it following this link. It is the third project of the first row. 




The rest of the space was really beautiful even this year. Many volunteers are doing so much in order to craft this event, and the staff at the AIA Pittsburgh is fantastic.


 Below: serie of activity tables.
  


The AIA Pittsburgh Design Awards cannot be complete without the right soundtrack. David Roth kindly takes care of that. And rocks the night. 


I didn't get to see much of the outside, but I loved the DJ session by DJ Rekha.


I also loved the exhibition of Sarika Goulatia at 709 Penn. Open until November 29th!




 All the main galleries that inaugurated on the Gallery Crawl night are still open. Check the Cultural Trust website to learn more.


Friday, 21 August 2015

The Story of Collapse



I was published again, on the AIA Pittsburgh eColumns (the online magazine of the American Institute of Architects, Pittsburgh Chapter).
Click here to read my article on Seth Clark, a very talented artist based in Pittsburgh.

" Beyond the subject-matter of the work, Clark’s compositions are well balanced and almost pleasant. They don’t provide solutions. They capture a condition that, as architects or even residents of less popular areas in the city, we are seeing repeatedly: abandoned buildings and deterioration. His technique is powerful and mastered: the collages are hyper-realistic, but also composed in a surreal manner. "







Friday, 24 July 2015

The Jason Pettigrew Memorial ARE Scholarship

I am very pleased to announce I am one of the 2015 Recipients of the Jason Pettigrew Memorial ARE Scholarship. It is a scholarship organized by the AIA at a national level.

Applicants should demonstrate one or more of the following attributes:

• Significant contributions at an early stage of career to the profession and/or community;

• Exemplary involvement in community and/or professional organizations;

• Outstanding achievement in the creation, development and delivery of creative programs for students, interns, Associates, and/or young architect members;

• Demonstrated passion for pursuit of registration.

Click here to see all the 10 recipients. Below is my bio:

Beatrice Spolidoro, Assoc. AIA, is a 2011 graduate from the University Politecnico of Milano in Italy, with a Master’s Degree in Architecture. She regularly volunteers at the AIA Pittsburgh chapter and for the Young Architect Forum (YAF) of Pittsburgh. Spolidoro is the recipient of the Young Architect Studio Competition, 2012 edition. She has been working as an Intern for the Pittsburgh based architectural firm Rothschild Doyno Collaborative since 2012. She has been involved in projects that aim to rebuild communities and align the goals of many Pittsburgh neighborhoods. In addition to helping the design development, she has been focusing in the storytelling of such projects and in facilitating the delivery of complex concepts.


A huge thank you goes to my firm, Rothschild Doyno Collaborative, and all the wonderful people working there. Geoff Campbell has been my tutor and mentor since 2012 and I really value his help and guidance. 

Another huge thanks goes to Mindy Fullilove, MD for the opportunity to contribute to her book Urban Alchemy. She taught me what welcoming means, and many precious lessons of "architecture for the people". 

I really admire the AIA Pittsburgh Chapter and its staff, particularly Rachael Kelley. The Young Architects Forum benefits a lot from all the efforts Rachael put in coordinate us. Thanks for the support you constantly provide!

Finally, thanks to Pittsburgh, for being such an amazing place to grow as an architect. It is a wonderful mix of challenges and opportunities. Plus fun.